The Transformation of Travel

For me, there is nothing quite like travel to freshen my perspective, inspire me artistically, and remind me of all the interesting ways and places there are to live. Recently, I’ve read three books in which travel plays (at least) one of these three roles to the main character.

the-lower-riverThe Lower River by Paul Theroux

The pacing of this book was superb. By page 16, we learn that our protagonist, Ellis, longs nostalgically for the time he spent as a young man teaching and building a school in a remote African village. He has spent the years since in a business  and marriage he didn’t care much about. Now, business closed and marriage dissolved, he intends to return to Africa and revisit the village and his youth. He brings along plenty of cash to help out the villagers.

However, the one thing he decides he doesn’t need to take a is a cellphone because the phone had “uncovered his entire private life, shown his as sentimental, flirtatious, dreamy, romantic, unfulfilled, yearning. What did all those emails mean? What in all this emotion was the thing he wanted?” After a series of events leave him the unromantic and all-too-real prisoner (and bank) for the village leader, the bubble bursts, and he sees that his nostalgia has been foolish. It still takes about 300 pages to extract him from his jail without walls — which would’ve taken much less time if he’d brought a cellphone (and not been such an ass). Continue reading

The Hungry Tide

The hungry tideI was on a roll early this year reading strictly from my TBR piles. And even when I broke it, reading the first two books of Elena Ferrante’s Neapolitan series from the library, I was still, in my mind, reading books I planned on reading for some time.

But I really broke the streak when I picked up The Hungry Tide (Amitav Ghosh, 2005), a book I’d gotten only recently in the library book sale. Perhaps it is the change of seasons, but I was really ready for a book to take me on a journey somewhere else. This book delivered.

The Hungry Tide is set in the Indian Sundarbans. I  think I’d seen part of a TV special on this fascinating region. The Sundarbans are the earth’s largest mangrove forests that make up the delta of four major rivers dumping into the Bay of Bengal. The border of India and Bangladesh runs through the center. The muddy, swampy islands and labyrinthine waterways of the Sundarbans are home to a variety of creatures, many dangerous and or endangered, including saltwater crocodiles, tigers, snakes, birds, and rare river dolphins. The tigers in this region, in particular, are known to be man eaters, and hundreds of people are killed every year by them. The area is poor, and people risk their lives to venture into tiger territory to find honey or collect firewood. The locals lives are also made precarious by the daily tides that engulf entire islands and eat away at the boundaries of others, not to mention the effects of the periodic ravages of storms. But the tides are also what give the area life and bounty. In short, this was — to me — a really fascinating setting for a novel. Continue reading

Finishing Up the Year with a . and a !

I managed to tuck two more books into the end of the year’s reading.  The year started with one of my favorites — A Tale for the Time Being — and ends with another favorite as well, Colorless Tsukuru Tazaki and His Years of Pilgrimage.

Colorless Tsukuru Tazaki and His Years of PilgrammageSince there are so many things Japanese in my life, people often expect me to have read all of Haruki Murakami’s books. The truth is, I have had an ambivalence for Murakami. I think the last book I read by him, prior to Colorless, was the Wind-Up Bird Chronicle. I loved that book enough to keep it on my shelves, but something about the way Murakami’s stories can dip into the surreal prevented me from picking up another. I think I’ve expressed in blogs that I am often mystified by dream sequences in books,  and Murakami seems to relish writing about weird dreams.

Continue reading