Five Audiobooks

I’ve certainly been reading, if not blogging. Recently, I’ve increased my page count by using my library’s great little app called Libby to listen to audiobooks while I commute. Here are some  thoughts on recent ear reads:

The Plant Messiah by Carlos Magdalena

Magdalena, a native of Andalusia, Spain, is a horticulturist at the Kew Royal Botanic Gardens in England. He is absolutely bat-shit crazy in love with plants and believes we all should be, too. His mission is to conserve as many species as possible, and has taken it as a personal challenge to figure out how to propagate those species deemed “impossible.” The book is part autobiography (he had an interesting upbringing and irregular trajectory to his current career), part travelogue, and part botany crash course. It’s a surprisingly uplifting read, despite also describing how dreadfully wrecked by human indifference and ignorance so many of our ecosystems are. 5/5

The Maze at Windemere by Gregory Blake Smith

This reminded me of David Mitchell’s Cloud Atlas, but unfortunately, it’s not as successful. Five stories are layered throughout the book, each at a different point in history, but all set in Newport, R.I. at the site of (or what will be the location of) a grand estate called Windermere. In the present of 2011, a hot tennis pro woos Windermere’s wealthy heiress, who suffers from cerebral palsy and bipolar depression–it’s an unlikely pairing at best–and the only story told in the third person. All the others are narrated in the first person and they include an aging fin-de-sieclè homosexual social climber trying to secure his social position and secret by marrying a wealthy widow;  a young Henry James keeping a diary about a lovely young woman he’s fascinated by; a creepy, anti-Semitic British officer in the 1700s who becomes obsessed with seducing a young Jewish woman; and a recently orphaned Puritan teenager who finds the mettle and ingenuity to secure herself a promising future. All the stories are about love, sexual attraction/seduction, and often, deception. I liked listening to this as an audiobook because each story had its own narrator and I’m sure it added drama to how I envisioned each story. I also liked the layering of the stories throughout time and the book itself, but I don’t think the stories resolved well individually or as a complete work–which really let me down. 3/5

The Nix by Nathan Hill

This was a gigantic book to listen to on audio–about 23 hours worth. It was also a super entertaining and often piercing satire of American culture and politics. Samuel, a bored young English professor, was abandoned by his mother as a boy and spends most of his days dealing with irritatingly self-entitled students and playing video games instead of writing his overdue book manuscript. When his mom resurfaces in the nightly news as an unlikely political lightning rod after hurling a handful of rocks at a politician, Samuel is strong-armed by his editor into reuniting with her and writing a sensationalist exposé instead of that academic manuscript. It’s a wild, sprawling ride through Samuel’s story, his mom’s back story, video game culture, and lots of political and social history that Hill slashes to tatters with his sharp observations and wit. I was utterly entertained and at the same time, I really wish his editor had reined him in a tad. 4/5

Commonwealth by Anne Patchett

I listened to this a while ago, and my first impressions are quite blurred now. Two couples who are friends divorce, and two of those divorcées marry each other, thus blending the children of both families into one. The story introduces us to the children as adults and how their lives have been affected not only by this family shuffle, but also by the death of one of the children one summer day . I enjoyed the book thoroughly — and it is the only book I’ve read by Patchett except Bel Canto, which I also enjoyed.  But recently, one of my students who is a nurse pointed out two crucial errors Patchett makes with the medical events in the book. It’s rather messed up my impression of both stories — and my interest in reading more Patchett. Still, 4/5

L’appart by David Lebovitz

If you like food blogs, you probably already know David Lebovitz because he practically invented the food blog. This book recalls his travails buying and renovating his Paris apartment. I’m not quite done listening to it, but I am amazed by how many bad choices and dodgy deals David made and survived for le remodel. Every time his contractor says “Pas de problem, David,” I want to scream, C’est un grande fucking problem, Daveed! Don’t do it! This says a lot about how the book is written — David really winds the reader up over and over. You can hear the Jaws theme booming every couple of paragraphs as some fanged real estate gets ready to double deal him or his contractor sends him on a wild goose chase all over Paris for a nonexistant style of doorknob. It’s written with big-D drama for sure, but it’s strangely less stressful than listening to current politics on NPR while driving in Bay Area traffic, so I am looking forward to finding out how he finally gets the job done.

 

 

The Sport of Kings

The Sport of Kings does not have a lick of wimpy writing in it. Instead, it’s the kind of prose that hooks two fingers in your nostrils and drags you through it:

In the fifth month Henry’s terror grows steadily in the womb of his mind. What if the Blood Horse is born of Soured Milk? What if there exists no vestige of divinity at all but only a satyr, that beast of horsetail, cloven hoof, and black pugnacious eye? It’s all her fault — seductress! She was too voluptuous, too hot-blooded and luxuriant. She lay in the undulatory grasses under green, fireworking trees, drunk on the liquor of Nature when the other pricked her lip and butterflied her and split the red carbuncle. See how the ordered marvels have been made vulgar! Now the invasive little goat floats in the tendrils of his sodden horse’s tail; he is swilling her dark wine, strangely robust and grinning, that swarthy little fiend already stroking himself erect, good for nothing and unfit for work, a mother’s trouble and Nature’s excess, the child of the a warmongering Orangutan and a woman, Simia satyrus. The bestiaries will designate him an indolent cline.

That’s just Henry Forge, a horse breeder and scion of an old, wealthy Kentucky family,  thinking about his daughter’s pregnancy. This is an extreme paragraph — all the writing is not quite so florid — but it does give a good sense of the intensity of C. E. Morgan’s prose and the way she  lashes together rich vocabulary and syntax to tell the story and layer and sculpt her themes.

I romped through this novel, initially caught up in the language. It’s about a topic and place — horse breeding/racing in Kentucky — that I know very little about. The book starts with the establishment of the Forge family in Kentucky and the many generations of Forges that gets us to Henry and his only child, Henrietta. Henry defies his ancestors by turning their noble plantation into a world-class horse breeding facility.  His daughter turns his family’s long line of privilege on its white, racist head by hiring a formerly incarcerated black groom (with his own long back story) that she gets up to all kinds of business with in the horse barn.

Splitting each chapter of storytelling are “Interlude” chapters where the writer waxes wild about her themes: race, breeding, genetics, blood lines, primogeniture, in horseflesh and human flesh. It was altogether clear that Morgan was playing with the ideas of breeding horses and breeding humans and how miscegenation and racism factored into both the business and the personal.

Looking at them all raising glasses to her munificent grandfather, her ambitious father — panegyrics for the living and the dead. The bourbon Henrietta was drinking was florid and complex, but she tasted only confusion. She had lain under Allmon just this afternoon, curing with want and wanting his need. She was in love, but maybe she was also hopelessly naive. She blinked. Did she actually think that love offered some kind of escape? There is kingdom, class, order, family, genus, species. You could step out of your heels, walk backward down the hall, recede from their collective gaze, but you could never escape the category of your birth and all the morphological categories which preceded it.

Where Morgan grabbed me with her writing style, she lost me with her storytelling. I don’t want to give too much away, but I found Henrietta’s declared love for her groom utterly ridiculous–lust, yes, love, no. Everything about her character was set up to make such a declaration highly improbable (though maybe the preceding quote suggests such awareness). Also, Allmon, the black groom and her lover, was a complex character that I didn’t think Morgan had a good hold of on many levels — his emotions, ambitions, and motivations. I almost stopped reading at the point where Allmon has an emotional breakdown in the horse barn — it really seemed cheesy to me. I wish her storytelling were on par with her wordsmithing, then this book would have been the humdinger it promised.

Despite my uneasiness with the storytelling, I did read all the way to the end. I loved her language and even enjoyed the themes, heavy-handed as they were at times. Anybody else read this? What did you think of the probability of Henrietta and Allmon’s relationship being true love? Did you think that a certain aspect (ahem…) of Henrietta and Henry’s relationship seemed to be added in as an afterthought?

A short update to say that I was just notified that this is my 100th post. Huzzah!

3/5
personal copy

Stories of sadness: Olive Kitteridge

There was a certain point in Olive Kitteridge when I was mentally adding it to my best-books-ever list. While it’s still a contender, it’s not quite lingering with me in the way those books do. But I don’t want to give the impression that Olive Kitteridge (henceforth OK) is disappointing or lacking in some way. It’s really brilliant, but also unrelentingly sad.

OK has an interesting construction. Is it a novel or a collection of short stories? Each chapter is a unique stand-alone story, but all the stories are about people in the same small Maine town. Olive herself appears in every story, but sometimes only as a mention. Other times, she is the main character of the chapter/story. To me the book reads more like a novel mainly because the stories begin in the past, but move forward in time. Also, there is progression and change in the characters, including Olive herself.

The first story introduces Olive through a story about her husband, Henry, and his unrequited love for one of his employees. By the end of the book, we have learned from various stories that Henry has had a stroke and has been left completely incapacitated in nursing home. Finally, in another story we learn that he has passed away. The book is a bit like being privy to all the best (and saddest) small town gossip. Continue reading

A Gentleman in Moscow

img_0542I finished A Gentleman in Moscow by Amor Towles about an hour before the clock struck midnight 2017, so it feels like a “back there” book. But I just want to write a few lines on it, because something about that story stays with me weeks later: the kindness of strangers who become friends.

If you’ve read anything about it, you’ll know that the story is about a Russian count, Alexander Rostov, who is sentenced to “hotel arrest” following the Russian revolution. As an aristocrat, he is lucky to be left alive and living in Russia. But if he leaves the hotel where he lives, he is told by the authorities that he will be shot. So he stays put in the hotel for more than 30 years.  Still, an amazing number of things happen in his life, and those events and their trajectory make up the very enjoyable story. Continue reading

The Signature of All Things

the-signature-of-all-thingsIt’s been a long time since I read  a novel with as deeply developed a character as Alma Whittaker in Elizabeth Gilbert’s The Signature of All Things. It is easy to feel that Alma is as real — if not more so — than some of the real-life characters  in the novel. Then again, The Signature of All Things is all Alma’s story, from birth to the brink of her death in old age, so it is important that she be interesting enough to carry us through the 500+ pages.

Alma’s life spans the nineteenth century. She is born into a wealthy, immigrant Pennsylvanian family.  Her English father is an uneducated but highly resourceful merchant of medicinal plants. Her mother is a member of a  family of famous Dutch botanists. Alma and her adopted sister Prudence are given spectacular classical educations and encouraged to precociousness. But whereas Prudence is beautiful and draws male attention, Alma, we are constantly reminded, is not. No suitors come calling for her, particularly the one man she hopes will return her affection but never does. Gilbert makes such a point of letting us know how ugly and unattractive Alma is that it made me quite sad for her. Continue reading

Where I’ve been and what I’ve read

No excuses for not posting except — and it’s a big except — I was gutted by the US election result and continue to writhe like an eel on a spike with every tweet, headline, and cabinet pick. When I can’t deal with reality, I escape to other worlds in books. So the good news is that I’ve been reading a lot in November and December. The bad news is that I’ve not been commenting much about those reads.  This doesn’t bode well for my blogging life in 2017 either. People say they are glad to leave 2016 behind, but I’m afraid 2016 was only the beginning of scarier and sadder times ahead. I suppose I’ll get used to it, but I’ll confidently increase my reading goal next year nevertheless.

Still, I started this blog with the intent of keeping track of my reading and impressions. So here is a short list with “lite” (or simply shallow) commentary on what’s been keeping me away from the headlines and semi-sane for the past few weeks. Continue reading

Love & Serpents

the-essex-serpent

One thing I love? This cover!

Last night I stayed up late to proofread an essay my son wrote for his sophomore English class. The topic was love, to define it in his own words and then spin off from there. The night before last, I stayed up late finishing The Essex Serpent by Sarah Perry. As I was reading my son’s sometimes humorous, sometimes touching, and sometimes bewildering thoughts on love, my thoughts on the novel became a lot clearer. It’s a novel about love, pure, simple, and complex. Continue reading

An Odd Couple. Of books to review, that is.

I’ve been reading up a storm recently, tossing one book off after another.  But to catch up on my blogging, here is a double-duty post of two completely different books, one historical fiction and the other contemporary memoir.

the miniaturistThe Miniaturist by Jesse Burton

This is a great example of a book I couldn’t put down, but didn’t think all that much of once I was finished. Set in seventeenth century Amsterdam, the teenage protagonist, Nella Oortman, arrives in the city full of optimism and nerves to begin her marriage to Johannes Brandt, a very successful, wealthy, and much older man. Her new household is unwelcoming, and while her new husband is kind to her, he is also disinterested in her sexually and romantically. Continue reading

How true is A True Novel?

a true novelI have never read Wuthering Heights. But after finishing A True Novel by Minae Mizumura and reading that it was a retelling of WH, I took a short cut and watched the Masterpiece Theater version of the classic to get an idea of how the two compared, at least plot-wise. A True Novel is a retelling of WH, albeit set in Japan and with a Japanese sensibility. However, the entire retelling is also framed within a uniquely Japanese literary genre of the I-novel and “plays” with the historical interest Japanese writers have had in distinguishing between a “true novel” or an “I-novel.” Continue reading

He Said She Said: 1Q84

1q84Earlier this summer my husband and I decided to both read 1Q84 by Haruki Murakami. He read the book in Japanese, the language of its composition, and I read it in English translation. We were interested in comparing our impressions and seeing what, if anything, we could discover about how a book reads in the original vs. translation. Though he has declined to blog his impressions of the book himself (spoiling my best laid blogging plans), I will summarize his thoughts based on our conversations.

He said: Continue reading